2025 Anne Elder Award (Winner, Highly Commended & Commended)

(from the website of Australian Poetry)

General comments

Theodore Ell, Manisha Anjali and Tim Loveday  (2025 Anne Elder Judging Panel).

We’d like to thank all those poets who put their work on the line. It has been a pleasure getting to read, engage with and discuss such a breadth and depth of new works. What we witnessed across the 33 collections entered into the 2025 Anne Elder Award, were themes of parenthood and class struggle, ecocide and end times, surrender and psychiatric distress, the surrealism and strangeness of nature, the complexities of intergenerational violence and wealth, and the absurdities and wonder of language in itself. It feels inadequate grouping these collections simply under the banner ‘debut’, especially considering they collectively prove, yet again, that so-called Australian poetry punches well above its weight class.

The winner and commended works stood out namely for their ambition, scope and inventiveness. They break and bend rules, subvert and reimagine poetic expectations, experiment in syntax, lineation, narrative stakes and form, each one governed by a wholly singular poetic voice. These collections not only contribute to our national poetry but extend our poetic imagination in new and unexpected ways. They are nothing short of a triumph.

(Please refer to the Australian Poetry website for more detailed judges’ comments on the winning entry (Ender Başkan), highly commended entries (Kristyn J. Saunders, and Connor Weightman) and commended entries (Ben Walter, Alison Gorman and Kaya Ortiz) in the award.

 

 

 

Moran Wiesel, launch, Anne Kellas & Meahd Farnaby

launch - Moran Wiesel
Book launch, Moran Wiesel

Fullers Bookshop, Hobart – Sunday 14th June 2:30 pm

Moran will be in conversation with award-winning poet Anne Kellas and TasWriters Deputy Chair, Meahd Farnaby.

enspiralled – a soul’s breath sparkles with an earthly mysticism. This poetry collection is a pilgrimage through the moss whispers and myrtle spirits of Lutruwita/Tasmania and Patagonia de Chile, as Moran follows the yearning of an infinite soul to find home here, amongst this exact moment. These are the kind of poems which beg us to sing to mountains, pray to stars, and to remember.

Purchase a copy at Walleah Press

Katherine Priddy ‘Hurricane’

Hurricane‘, from her album ‘These Frightening Machines’ (2026)

Review of ‘These Frightening Machines’ by Danny Neill, ‘KLOF Mag’ (4th March 2026)

‘There are a couple of trajectories that the opening trio of albums by a new artist often take. The first is a debut album planned to perfection after years of playing and dreaming, then a second that is like the first but maybe not as strong, followed by a third that is less so. The second is an artist finding their studio feet in the simplest configuration of their music on their debut album, gently building on that with record number two and by the third, blossoming into an expressive, confident studio artist overflowing in decorative, colourful ideas and ready to push on with the creation of their most fully realised and sonically evolved work to date. Katherine Priddy belongs firmly in the second group of these examples…’

Katherine Priddy
Katherine Priddy from her clip ‘Hurricane’