Oystercatcher Enterprises Ltd, a not-for-profit company recently founded by Mark Tredinnick and Steve Meyrick, is proud to announce its intention to revive Five Islands Press as a publisher of new poetry and writing about poetry and other lyric works. Founded in 1986 by Ron Pretty, and named for the five islands off Port Kembla, where…
Category: poetry collections
Review, David Mason poetry collection ‘Pacific Light’ (Los Angeles Review of Books, 20 Nov 2022)
Thoughtful words, both by and about US poet David Mason, now resident in Tasmania. Siham Karami reviews Mason’s Pacific Light (Forty South Publishing, Sept 2022)…. In this collection, we sense it in the very first poem, “On the Shelf,” whose title rhymes with and is the same metric length as that of the final poem,…
Launch of ‘Reaching Light’, by Robert Adamson [Sydney, July 2022]
Robert reading and in conversation with his Flood Editions USA editor/publisher & poet Devin Johnston, with readings by Sarah Holland-Batt and Michele Seminara. The very sad news is that Robert Adamson is gravely ill. * * * * …
Book launch—Gayelene Carbis’ ‘I Have Decided To Remain Vertical’; Melbourne 16 Oct 2022, launched by Marion May Campbell
Plenty of support for Gayelene Carbis, when Marion May Campbell launched her new poetry collection—’I Have Decided To Remain Vertical’—at Readings in St Kilda last month. With Claire Gaskin MC-ing the event, local choir The Red Hot Singers — (‘This is not a choir, it’s a singing group … in other words, informal’, someone clarified;…
Tasmanian poet Tim Slade, reading ‘Thylacine’
Tim Slade’s been writing poetry for a decade, his work has appeared in publications as diverse as The Weekend Australian, The Koori Mail, Australian Poetry Anthology, Growing Up Disabled In Australia and Cordite Poetry Review. Originally from Hobart, he settled in the tiny Tasmanian town of Pioneer a decade ago where he’s drawn inspiration for…
Fullers Poets — Mary Blackwood & Liz McQuilkin: 12th May (Hobart)
Fullers Poets is a new event series celebrating contemporary poetry. The first event in this series will feature poets Liz McQuilkin (Unwrapping Clouds) and Mary Blackwood (Small Cosmos) in conversation, with readings from their work. Praise for Liz McQuilkin: ‘Liz McQuilkin has Mary Oliver’s ability to show us ordinary, yet extraordinary, moments in the natural and human worlds….
Notes from a launch: Esther Ottaway’s ‘Intimate, low-voiced, delicate things’
My take on Jane Williams’ launch of Esther Ottaway’s poetry collection ‘Intimate, low-voiced, delicate things’ in Launceston last year — please visit here. ‘I’ve been a fan of Esther Ottaway’s poetry since her first, small, powerful book Blood Universe some fourteen years ago.’ she said. ‘The long wait has been well worth it and … I suspect Intimate,…
Review, Jane Williams’ ‘Points of Recognition’
Alison Clifton reviews Points of Recognition, one of two of Jane’s collections to appear in 2021 (the other: Between Breaths, Silver Bow Publishing, Canada). ‘Jane Williams’ Points of Recognition is inherently human poetry. Her concerns are wide-ranging: from empathy to idiosyncrasy, the mundane to the marvellous, compassion to passion, diffidence and restraint to ecstasy and…
Launch — Les Wicks’ poetry collection ‘Time Taken — New & Selected’
Time Taken — New & Selected’, (Puncher & Wattman) is Les Wicks’ fifteenth poetry collection. 2022 will mark the 50th anniversary of Wicks’ first poem publication. His imprint Meuse Press will turn 45. He has been presenting workshops around Australia across 35 years. Time Taken is a New & Selected collection revisiting his best poems…
Geoff Goodfellow at Adelaide Festival, 7th March 2022
Geoff Goodfellow returns to Writers’ Week with a reading of his new verse novella, ‘Blight Street, (Walleah Press), featuring Geoff and performers Roslyn Oades and Nic Darrigo. (From the festival’s notes): “Set in the northern suburbs of Adelaide, ‘Blight Street’ is written in the language and idiom of the culture it portrays. Harrowing but tender,…