Kathryn Schulz’s ‘Lost & Found’

Have read, then partially listened to, an interview (dated 30th may 2025) in the New York Times recently with Kathryn Schulz, a staff writer with The New Yorker and a winner of the Pulitzer Prize . She’s interviewed by Ezra Klein about her 2022 book, ‘Lost & Found’.

Eighteen months before Kathryn Schulz’s beloved father died, she met the woman she would marry. In Lost & Found, she weaves the stories of those relationships into a brilliant exploration of how all our lives are shaped by loss and discovery-from the maddening disappearance of everyday objects to the sweeping devastations of war, pandemic, and natural disaster; from finding new planets to falling in love.

There are many memorable moments within this interview. Kathryn Schulz is a gifted conversationalist (though not to the same degree as her father, apparently, who ‘could talk me under the table’), and Klein has prepared his questions well. The interview’s behind a paywall I assume, but let me quote just one question and response (and recommend you seek out Kathryn’s work online):

Is there an experience that comes to mind for you recently, where you were looking at something small and you saw something big in it — or big and you saw something small in it?

Sure. I’m going to tell a story that sounds like it can’t possibly be true, and I swear it is.

What you need to know by way of context for this story is that a year or so ago, my partner and I bought the house across the street from the farm where she was born and raised, and where her parents still live. We’ve been gradually renovating it ever since then and were incredibly excited to move in and to be near family and, frankly, near more child care.

We finally move in, and I’m reveling in this beautiful new home as we settle in. Then — this is only a week ago — my daughter, who’s now 3½ — we have these beautiful fields outside of our house, and she wanders off into the field and returns with a stalk of wheat and says: Look, Mama. So I’m thinking: Oh, she found a stalk of wheat — fun! Children pick up everything, right? Clovers, coins, anything muddy, tarantulas — whatever they can find.

So she hands me this stalk of wheat, and I’m thinking: Oh, how sweet, she gets to live in this beautiful setting where the outdoors is full of so many wonderful little things for her to study. Then she looks at me very seriously and says: Mama, we should use this wheat to make bread for people who don’t have any.

It’s just one of those moments as a parent, where, on the one hand, you’re just so in love with your child. You think: Who made this remarkable mind?

I’m sitting there thinking she found a pretty flower or something, and there she is apparently thinking about the poor and privation and need. So right away my sense of the scale of what we were talking about just wildly shifted.

But also, to be honest, right alongside feeling overwhelming awe for her, I felt so morally indicted. I am literally in the middle of reveling in my pretty new kitchen, and then suddenly, I’m confronted with real hunger in the world, and I’m thinking: Why do I have this beautiful backsplash? What have I done here? My 3-year-old has more moral clarity than I do about how we should spend our money and our time and what actually matters in life.

So, yes, in a wonderful way, I feel like my world is full of discoveries that seem small and blossom out into the enormous. Or seem enormous and then have some kind of bearing on small, practical things, like how to be a family and how to raise children. It’s often incredibly humbling. And sometimes it’s very funny, and sometimes it’s very moving. In that case, it was all the above.

The book’s available at Readings Bookshop in Melbourne, costs $34.99.

Sunday 5th Oct, Hobart: Tas Poetry Festival feature reading by six poets

2.30 – 3.45pm, Sunday 5 October

Tasmanian Poetry Festival Feature Reading in Hobart

The Tasmanian Poetry Festival presents a special Hobart feature reading by award-winning poets:

Enjoy this delightful afternoon reading by some of Tasmania’s finest poets addressing themes of nature, family, attention, and joy.

Hosted by Fullers Bookshop, 131 Collins Street, Hobart.


About the poets:

Erin Coull is an editor and contributor for WhyNot and is a past winner of the Andrew Hardy Poetry Prize, and has been published in FortySouth, Togatus, The Trailblazer and WritetheWorld Review. Her writing explores quiet anxieties, uncertain futures and complex connections.

Susan Austin is an award-winning poet, mental health occupational therapist, eco-socialist activist and mother, who has two poetry collections and a verse novel. She will read poems about times when we feel lost – with parenting, relationships and work – and ways we re-establish connection with nature and each other.

Young Dawkins has been published in two collections and numerous literary journals, and has performed his work internationally at major festivals, main stages, competitions and countless questionable bars. His poems draw on autobiography.

Ben Walter is a Walkley award-winning essayist, and the author of a book of short stories, What Fear Was, and the new poetry collection, Lithosphere. His poems explore the Tasmanian natural world in surprising ways.

Esther Ottaway is the winner of the $25,000 Tim Thorne Prize for Poetry in the Tasmanian Literary Awards, and holds multiple national and international shortlistings. Her poems are about family bonds, Tasmanian life, experiences of joy, and winter swimming!

Louise Oxley‘s three collections include poems that have won major awards, attracted state and federal grants and earned residencies at Varuna the Writers House and the University of Prince Edward Island, Canada. She will read poems on the theme of mother and child.

Free event! Book here, or just attend on the day: https://www.fullersbookshop.com.au/event/tasmanian-poetry-festival-feature-reading-in-hobart/

This special event is a preview event leading up to the Tasmanian Poetry Festival full days of readings, held in Launceston from 10-12 October, and featuring Erin Coull, Liz Winfield, Les Wicks, Kim Nielsen-Creeley, Kit Kelen, Alex McKeown, and guest, Pam Schindler. Workshops include Constraint-Based Writing, Writing an Interior Monologue, Taking Your Words for a Walk, and Plan to be Published. You can view the program and book tickets at www.taspoetryfest.org

DIY Publishing Toolkit

DIY Publishing Toolkit is a project of the Community Publishing in Regional Australia Research Group.

The group puts out a Community Publishing Newsletter, and online effort – the most recent, no 8 – 11th September 2025.

The DIY Publishing Toolkit is a practical guide for anyone wanting to write and publish a book—whether it’s a memoir, poetry collection, children’s title, or another genre. Leveraging modern digital tools, the toolkit shows how to streamline production, outsource selectively, and retain creative control. It covers everything from selecting printers and designing covers to marketing, sales, and crafting cherished physical copies. Readers can navigate the sections in any order to suit their goals.

Authored by four university scholars—Beth Driscoll, Kim Wilkins, Alexandra Dane, and Sandra Phillips—the guide draws on extensive publishing experience. Together they have authored 85 academic articles, 10 books, and taught thousands of students. Their collaboration began in 2023 as part of the “Community Publishing in Regional Australia” research project, which highlighted DIY publishing beyond metropolitan hubs. Partnering with industry groups (Booktopia, Busybird Publishing, Small Press Network) and councils in Alice Springs, Broken Hill, Winton, and Ayr, they gathered local writers’ stories that enrich this resource.

Vanessa Page in conversation

Vanessa Page hails from Toowoomba but feels most at peace in the outback. A seventh‑generation Australian with First Fleet ancestry, she fell in love with books while spending lonely holidays with her grandmother. She’s the only university graduate in her family—BA in Journalism (USQ), PR diploma (RMIT), and a Master’s in Professional Communication (USQ)—earned while raising a baby and battling doubters. A lifelong footy fan, she turned that passion into a master’s thesis on sport as news. Publishing her first poem at twelve, she revived her writing in her thirties, joined Brisbane’s Speedpoets scene, and now thrives within the supportive Calanthe Press community.

Rosanna E Licari interviewed Vanessa for the current issue of Stylus Lit, launched September 1st, 2025.