Stories in September (a Tasmanian film and writing project)

ENTER A STORY

Have you made a film or documentary, produced an audio feature or written a story about Tasmanian people or places recently? If yes, ‘Stories in September’ would love to hear from you.

Enter your story now for a chance to be part of the ’30 Stories in 30 Days’ event. Your work could be 1 of 30 stories selected to be be screened at the State Cinema in Hobart on September 1, and featured online throughout the month.

There are also some great prizes including three, 3-month residencies at Parliament Coworking, a night’s accommodation at MACq 01 Storytelling Hotel in Hobart and free subscription to ‘Stories in September’ for 12 months.

Story entries are open until midnight on July 15, 2018.

WATCH AND LISTEN
Do you love stories about Tasmania and its people?

If yes, then you’ll love ’30 Stories in 30 Days’ event which celebrates Tasmanian storytellers and brings together the mediums of film, audio and print for the first time, teaming up with the State Cinema to offer four sessions on Saturday September 1, filled with film, audio and print stories from all over Tasmania. Pre-release tickets to these screenings are available for purchase now. Seats will be limited so book early to avoid missing out.

You can also subscribe to this website from September 1 for just $30. Only subscribers will have access to watch and listen to our 30 Stories in 30 Days storytellers, plus a whole range of additional diverse and amazing Tasmanian stories for 12 months.

Link for story: http://storiesinseptember.com/

Anne Hathaway makes television appeal to find Tassie book to give to Ellen DeGeneres

(By Ellen Coulter, ABC News)

A Tasmanian illustrator and writer has been inundated with messages and emails from the United States after receiving a Hollywood shout-out on The Ellen DeGeneres Show.

During an interview on the program, Oscar-winner Anne Hathaway told host Ellen DeGeneres she wanted to give her a gift: Jennifer Cossins’ “beautiful” book, A Compendium of Collective Nouns.

More at ABC News, 8th June 2018

Miles Franklin longlist 2018

Peter Carey – A Long Way from Home (Penguin Random House)

Felicity Castagna – No More Boats (Giramondo Publishing)

Michelle de Kretser – The Life To Come (Allen & Unwin)

Lia Hills – The Crying Place (Allen & Unwin)

Eva Hornung – The Last Garden (Text Publishing)

Wayne Macauley – Some Tests (Text Publishing)

Catherine McKinnon – Storyland (Harper Collins Publishing)

Gerald Murnane – Border Districts (Giramondo Publishing)

Jane Rawson – From The Wreck (Transit Lounge)

Michael Sala – The Restorer (Text Publishing)

Kim Scott – Taboo (Picador Australia/Pan Macmillan Australia)

More at The Guardian, 23rd May 2018

‘Marion’s Farewell’. Hobart, Wednesday 16th May 2018

TERRY WHITEBEACH

(A tribute honouring Marion Stoneman for her service to the Tasmanian Writers’ Centre, 2008-2017)

Marion is very easy person to like. A woman of integrity: modest, friendly, helpful, supportive, non-judgemental, efficient and always ready to walk the extra mile. She has fulfilled her role at the Tas Writers Centre fathoms deeper and stratospheres higher than her original brief and in our view, gone the extra hundred thousand miles – and is still going, even after her resignation!

When she asked me 10 years ago for a reference to support her application for a position with the TWC – I was very happy to give her one – what I’d seen of her was pretty impressive – and I didn’t know the half of it, at that stage.

From her unassuming manner you’d never guess what a skilled and brilliant worker Marion is: never one to blow her own trumpet she just gets things done, quickly and quietly, solves problems, supports writers, smooths away difficulties and gets through a formidable load of tasks with apparent ease. She may be paddling away madly under the surface but she’ll still make time to chat about a project, guide you through tricky processes, supply information, put out a newsletter, make a venue comfortable and welcoming, see to members’ needs – and all this with unfailing courtesy, never betraying impatience or making you feel you are taking up her valuable time.

Almost a fixture at every TWC event is Marion’s smiling face and pleasant manner, putting people at ease and getting the job done, oiling the wheels – and even putting the wheels back on when they fall off. A true service giver. And her service, as the cliché has it, is given with a smile.

Has she always been like this, I asked Megan once, and Megan replied that from early childhood Marion has had a sunny nature. You always feel great after a chat with her – yep, the sun comes out and you go on your way feeling that much better.

Our good fortune is to have had Marion’s services at TWC for a decade, and our sorrow is that her last few months at TWC were full of such horrible stress and trauma that she found it necessary to resign in order to save her sanity. I might add that we have asked her to reconsider that decision once the Centre becomes viable again, and she has agreed to do so, in principle. Also by any ethical standards she is entitled to a proportion of her long service leave, after nearly ten years. The new board is fully aware of this and it is our hope that this situation may be rectified.

Marion supported the past director admirably, especially as things got more and more difficult, hung in there to make sure the annual report correctly documented TWC’s great achievements and doggedly fulfilled her responsibilities in what had become a very uncomfortable working environment.

Our deep thanks and profound good wishes go with you, Marion. Have a good holiday and after that, please sail back our way and STICK AROUND. You are such a valued member of the Tasmanian reading and writing community. And so say all of us!

States of Poetry Tasmania – Series Two

A. E. Houseman memorably said: I could no more define poetry than a terrier can define a rat. It’s not an easy matter to justify one’s decisions when faced with numerous poems from which to make a limited selection. There’s no programmatic guide to what makes a poem successful although the impact of a good poem is something we all know and recognise. Generally it has something to do with registering a sense of shock – it might be the shock of the new, unexpected or strange, or it might be the shock of the familiar – it can take one off guard to be confronted by what one knows but didn’t know one knew. And what creates the shock?

(Sarah Day, ‘State Editor’s Introduction’ to ‘States of Poetry Tasmania – Series Two’; more at Australian Book Review) – and featuring poetry by Anne Kellas, Gina Mercer, James Charlton, Jim Everett-puralia meenamatta, Ben Walter and Christiane Conésa-Bostock.

Tasmanian Writers’ Centre – resumed AGM

Brief notes from last night’s meeting (4th May 2018), the resumed AGM. Another good crowd in attendance. I didn’t take much notice of numbers … 75 or so?

Six people put up their hands for election to the Board. Can’t remember names, other than those of Robyn Friend and Terry Whitebeach. A chairman, deputy chairman and secretary were elected from these, there were no takers on the night for the position of treasurer.

Given the TWC’s financial difficulties, options of an alternative location for the centre were explored. Three possibilities were mentioned – one, with free use of an office, space for a library and a meeting room for events (but not covering telephone and internet costs), will be discussed with Hobart City Council this week. (Visitors to the TWC, if it were relocated to the HCC, would be issued visitors’ passes on entry to the building). Parking would be a problem, as it would with two other options also under consideration, in the Salamanca and Hunter Street vicinities. (Brief mention was also made of the news during the week that the HCC has decided not to support the nomination of Hobart as a UNESCO City of Literature – [read Anna Reynolds’ summary] ).

The TWC’s financial position means that any activities undertaken within the foreseeable future will be on a voluntary basis. Some money has been raised in support of the Centre over the past fortnight, from private donations as well as from a crowdfunding campaign, and questions were asked as to whether any of this might go towards the continued employment of three of the Centre’s part time workers. Appears that the crowdfunding portion of the monies can’t be accessed because the amount reached was nowhere near the figure ($50,000) striven for. No one was able to say what might happen to the monies already pledged, given this scenario. The crowdfunding page – briefly closed – has been reopened.

The possibility remains of some funding support being provided by the Australia Council, (via the grant round for arts projects and organisations that closed on 6th February?). The Centre’s still in the dark as to whether its application has been successful but hopes to hear ‘any day now’.

Postscript
Board members elected unopposed were: Sue Kennedy (Chair), Cary Lennard (Deputy Chair), Terry Whitebeach, Robyn Friend, Kate Eagles (Secretary/Public Officer), & Bethany Nader.

PPS
(From Lyn Reeves: “There was discussion about the crowd funding appeal. This is still open. There is no time limit for reaching the goal amount and funds can be withdrawn when needed without affecting the progress of the fund. Here is the LINK “)