{"id":213,"date":"2019-02-17T21:27:47","date_gmt":"2019-02-17T21:27:47","guid":{"rendered":"https:\/\/walleahpress.com.au\/currajah\/?p=213"},"modified":"2022-02-16T21:28:50","modified_gmt":"2022-02-16T21:28:50","slug":"feedback-for-michael-sharkeys-many-such-as-she-victorian-australian-women-poets-of-world-war-one","status":"publish","type":"post","link":"https:\/\/walleahpress.com.au\/currajah\/index.php\/2019\/02\/17\/feedback-for-michael-sharkeys-many-such-as-she-victorian-australian-women-poets-of-world-war-one\/","title":{"rendered":"Feedback for Michael Sharkey&#8217;s &#8216;Many Such As She: Victorian Australian Women Poets of World War One&#8217;"},"content":{"rendered":"<p>Some welcome feedback for Michael Sharkey&#8217;s anthology, <em>Many Such as She<\/em>&#8230;.<\/p>\n<p>&#8220;I&#8217;ve just been having another and deeper look into those women &#8216;war&#8217; poets you&#8217;ve so<br \/>\nassiduously collected and wonderfully written up, and up till now I&#8217;ve found their<br \/>\ntreatment of war, loss, patriotism, etc &#8212; by which I mean their favourite &#8216;positions&#8217; to<br \/>\ncouple up in thought with their absent men &#8212; quite troubling and, here and there,<br \/>\nalarming.That is, until I suddenly began to &#8216;hear&#8217; it all quite differently &#8212; not as a<br \/>\ncontemporary reader, but as a witness to their times. In fact, &#8216;times&#8217; is the snuggly<br \/>\nfitting key, and you have to almost become a time-traveller to get back there. It&#8217;s not so<br \/>\nmuch a different world I find that they are living and thinking in &#8212; which would have to<br \/>\nbe a nonsense, unless they were all mad &#8212; rather, they are using a language where<br \/>\nthe words have different weights and values from our own. You have to make an effort<br \/>\nto free, or disencumber, their words from the interrogations that the language we at first<br \/>\nthink they are using has subsequently been loaded with. Some of it, even making this<br \/>\nallowance, remains, however interesting as examples, affected, crude and even silly.<br \/>\nBut a lot more becomes, in dramatic contrast, affecting and some seems to catch at<br \/>\nstunned moments of a genuine distress with flair and to be heart-breaking. Fine job<br \/>\ndigger &#8212; or perhaps delver&#8217;s the truer word.&#8221;<br \/>\n\u00b6\u00b6<br \/>\nMichael&#8217;s response was to find the remarks pretty spot-on, regarding the way we read<br \/>\nthe language of writers of another era. &#8216;It&#8217;s something that fascinated me all my reading<br \/>\n&#038; teaching life \u2014the way in which we get to enter another world&#8217; \u2014 &#8216;time travelling&#8217;, as<br \/>\nhe put it.\u2014 &#8216;so we can relive the thoughts &#038; emotions of characters we encounter<br \/>\nthere. We do that without resort to theory or any worry about &#8216;how&#8217; we should read<br \/>\nsuch work from a bygone time. People who pick up a copy of some novel from the past<br \/>\n\u2014 say, <em>Pride and Prejudice<\/em>, or<em> Gulliver&#8217;s Travels<\/em> \u2014 don&#8217;t go into a fret about how to go<br \/>\nabout it; they just open the book and engage with the language without any great<br \/>\nconcern that some words may be a bit strange or that the punctuation&#8217;s not exactly<br \/>\n2019 style&#8230; they go at it in the same way that someone reads a newspaper online or<br \/>\nin print, or like people on a bus or plane or train read a contemporary detective story,<br \/>\nromance or biography. We&#8217;re not all conscious scholars of linguistics or historical<br \/>\nanthropology&#8230;. So the comments on the way we can read such people as those early<br \/>\ntwentieth century women poets&#8217; work are helpful. Their language does have certain<br \/>\ndifferent values or weights embedded in it \u2014 words they took for granted as having<br \/>\nconnotations as well as denotations according to the time they inhabited. We might put<br \/>\na different weight on some words, but we still seem to effortlessly know what they were<br \/>\ngetting at, and we unconsciously enter into their world view, even if we have different<br \/>\nattitudes to the meaning of a word like &#8216;duty&#8217; or &#8216;peace&#8217; or &#8216;love&#8217; or &#8216;family&#8217; nowadays.<br \/>\nWe can understand the writers&#8217; anxiety, fear and other passions. It&#8217;s why we can relate<br \/>\nto the love-poems of Lesbia Harford, or the cool outrage of Fullerton&#8217;s poem &#8216;The<br \/>\nTargets&#8217;, which another friend wrote to say that a reading aloud, by a woman who<br \/>\nteaches theatre, had a profound effect on an audience recently.&#8217;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some welcome feedback for Michael Sharkey&#8217;s anthology, Many Such as She&#8230;. &#8220;I&#8217;ve just been having another and deeper look into those women &#8216;war&#8217; poets you&#8217;ve so assiduously collected and wonderfully &hellip;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"ngg_post_thumbnail":0,"footnotes":"","_links_to":"","_links_to_target":""},"categories":[25],"tags":[],"class_list":["post-213","post","type-post","status-publish","format-standard","hentry","category-sharkey-michael","entry entry-center"],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/posts\/213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/comments?post=213"}],"version-history":[{"count":1,"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/posts\/213\/revisions"}],"predecessor-version":[{"id":214,"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/posts\/213\/revisions\/214"}],"wp:attachment":[{"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/media?parent=213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/categories?post=213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/walleahpress.com.au\/currajah\/index.php\/wp-json\/wp\/v2\/tags?post=213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}