- Alex Skovron
- Australian literature
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- famous reporter
- Gillian Mears
- Heather Rose
- Indigenous literature
- Jenny Diski
- Judith Wright
- Luke Fischer
- Pete Hay
- Peter Boyle
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- Selected online poetry
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- Tasmanian Poetry Festival
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Dear Festival Friend
Unbelievably, it is that time of the year again: it’s time to plant your tomatoes, wind your clock back an hour AND relax in the fabulous ambience of the 2012 Tasmanian Poetry Festival!
It’s on next weekend, October 5-7, at venues around Launceston. For a full program and details of this year’s very exciting guest poets, please visit www.taspoetryfest.org. You can also visit our Facebook page–and, if you haven’t already, feel free to Like!
This year we visit a couple of new venues; we enjoy a reasonably priced buffet meal on the Friday night (see program for details); we spend Saturday listening to words in the ‘blank canvas’ space of the Annexe Studio Theatre, Inveresk; and on Sunday we immerse ourselves in one of Launceston’s prime cultural assets, listening to the work of our Guest Poets in the ambience of the Queen Victoria Museum and Art Gallery (Royal Park site, Wellington Street). And as always, there is the cut-throat, all-or-nothing do-or-die competition of the 2012 Launceston Poetry Cup, 7.30 on Saturday October 6 at the Mowbray Golf Club. This is the Festival’s one-minute performance poetry competition–it’s open to anyone and the entry that generates the loudest audience response wins!
There are several open-mic slots on Friday night and Saturday for local poets to share their work in a five-minute set.
Weekend Passes ($30) are available from Fullers Bookshop; individual Festival events are $10 each or $5 concession, except the Sunday session at QVMAG (which is free).
Please get in touch if you have any queries–and expecially to book tickets for Words on Water, the annual Festival Friday night poetry cruise, for which numbers are limited.
Thanks for your support–best wishes
Tasmanian Poetry Festival
From Timothy Egan’s NY Times reflections on editor, Ashbel Green….
Ash was my editor at Knopf, having plucked my 10-page proposal for a book about the Pacific Northwest from his pile of weekly offerings. He edited in red pen, and fought over very few things.
“It’s your book,” he would say. “But you don’t want to embarrass yourself, either.”
It may sound, oh, elitist, but it’s worth saying: we have too many authors who are not writers. Too many people who get book contracts simply because they took off their clothes, or said something outrageous on a reality show, or need to share every detail about their genitalia.
At the same time, we have too many writers who are not yet authors, but deserve to be. Ash Green, editing until he took his final breath, was in constant search of the latter, and in no small way saved publishing from itself.
Excellent photos by Melbourne & Brisbane photographer Elleni Toumpis, at
In an interview at the Royal Geographic Society on Tuesday about his career, Naipaul, who has been described as the “greatest living writer of English prose”, was asked if he considered any woman writer his literary match. He replied: “I don’t think so.” Of Austen he said he “couldn’t possibly share her sentimental ambitions, her sentimental sense of the world”.
He felt that women writers were “quite different”. He said: “I read a piece of writing and within a paragraph or two I know whether it is by a woman or not. I think [it is] unequal to me.”
By Amy Fallon; more at The Guardian, 02 June 2011
Technology has enabled literary magazines to solve the two problems holding them back: print and distribution costs, and marketing. The internet solved the first and social networking is fixing the second. Five Dials – which has grown from 1,000 to 10,000 subscribers – has both a Facebook page and Twitter account. Despite the lo-fi appearance, Taylor welcomes new technology. “We’re not Amish in our approach.”
These days, the process of “deep reading” – that is, entering into a trance-like state and becoming mentally and emotionally consumed in another world – often seems like a huge effort, especially when the cheap thrill of Twitter or a blog is just a tap away. However, people are starting to suspect that the internet connives against us. It sells us the lie that it’s better to click or flick in idle spare time than it is to read a book. But after half an hour – after you’ve exhausted your regular websites and blogs, and everyone on Twitter and Facebook is in bed – you get the same feeling as you do from eating chocolate all day.
(By Ben Johncock; more at The Guardian, 11 November 2010
The Feast of the Goat (2002), widely viewed as his most recent masterpiece, returns to dictatorship, offering a portrait of Rafael L Trujillo Molina, who ruled the Dominican Republic from 1930 until 1961. Vargas Llosa draws him as an incontinent hyper-villain, ruled by the outbursts of a body and mind that are out of his control. The novel circles around Trujillo’s attempt to have sex with the 14-year-old daughter of his chief minister, and his assassination two weeks later.
He has described it as a “realist treatment of a human being who became a monster”, adding that he is distrustful of “the idea that you can build a paradise here in history. That idea of a perfect society lies behind monsters like the Taliban. When you want paradise you produce first extraordinary idealism. But at some time, you produce hell.”
By Richard Lea; more at The Guardian, 07 October 2010
The last time I saw Judith Wright was in 1998. She was living in a small bedsit in Canberra. On a table next to her bed was a framed photograph of HC ‘Nugget’ Coombs, her lover of 25 years, who had died six months before. She told me she missed him badly. For two years before his death, he had been in a nursing home in Sydney after a series of strokes left him unable to speak. Wright had visited him when she could, although travel was not easy: she was deaf and in fragile health.
By Fiona Capp; read more at The Monthly, June 2009.